“Edges “
Part A 90 x 60 cm
Part B 90 x 60 cm
Acrylic and Epoxy on Canvas
Caught between noise and stillness, this piece explores what it means to hold yourself together when identity starts to blur.
It’s that quiet resistance, the effort to find calm while everything inside keeps shifting.
The grey, almost ghostlike silhouettes at the bottom look like a crowd of people or memories pressing in from below. They seem distant yet intrusive, representing outside expectations, past experiences, or inner voices that blur individual identity.
The faint pink outlined bodies on each side echo the central figures, as if different versions of the self are drifting away or watching from a distance. They can be read as emotional states, vulnerability, shame, longing, hovering around the main persona. This repetition suggests fragmentation: not knowing which “self” to inhabit.
The warm oranges and reds feel like raw emotion, anger, passion, anxiety, while the pinks introduce tenderness and sensitivity. The smoky greys at the bottom imply heaviness and uncertainty, like emotions that haven’t yet been processed. The textured surface adds a sense of agitation, as if the feelings are just under the skin.
“Edges “
Part A 90 x 60 cm
Part B 90 x 60 cm
Acrylic and Epoxy on Canvas
Caught between noise and stillness, this piece explores what it means to hold yourself together when identity starts to blur.
It’s that quiet resistance, the effort to find calm while everything inside keeps shifting.
The grey, almost ghostlike silhouettes at the bottom look like a crowd of people or memories pressing in from below. They seem distant yet intrusive, representing outside expectations, past experiences, or inner voices that blur individual identity.
The faint pink outlined bodies on each side echo the central figures, as if different versions of the self are drifting away or watching from a distance. They can be read as emotional states, vulnerability, shame, longing, hovering around the main persona. This repetition suggests fragmentation: not knowing which “self” to inhabit.
The warm oranges and reds feel like raw emotion, anger, passion, anxiety, while the pinks introduce tenderness and sensitivity. The smoky greys at the bottom imply heaviness and uncertainty, like emotions that haven’t yet been processed. The textured surface adds a sense of agitation, as if the feelings are just under the skin.
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